Creative

Director

WHO stilldesigns

19 years helping brands — from Olympic committees and global sports federations to luxury houses and startups - define who theyare and how they show up.

I've led international teams of up to twelve,and I've drawn every system I've directed.

The two have never been separate for me.

Expertise

Nineteen years across branding, packaging, digital products and creative leadership - from a one-person studio to directing a twelve-person multidisciplinary international team, without ever handing over the drawing.

Years designing — every

one of them hands-on

years leading

design teams

5

years teaching branding

and packaging at university

2022 — 2026

Creative Director

Penceo / The Learning Lab

Creative vision across global e-learning and branding for luxury and corporate clients. Led a 12-person team while personally designing high-end visual systems.

2019 — 2021

Senior Graphic Designer

Penceo

Branding, social and 360 campaigns for major international sports federations. Visual information system for the Olympic Games.

2018 — 2019

Senior Designer & Team Leader

Admind Branding & Communications

Led a 7-person team on ABB's global branding and the rebranding of its business units, with direct client ownership.

2011 — 2016

Lecturer, Packaging & Branding

Tischner European University

Taught branding and packaging design, supervised diploma seminars.

2007 — now

Founder, Creative Designer

Studio Mleczko

Independent studio delivering premium brand identities and packaging for clients across Europe.

Design & craft

Visual identity systems, rebranding, packaging, typography and layout, iconography, data visualisation, UI, digital campaigns and social assets — all produced, not just specified.

Creative leadership

Creative and art direction, team mentoring, stakeholder alignment, workshop facilitation, cross-functional work with PM and design.

AI in creative workflows

Prompt crafting, generative exploration, visual concept development, and human–AI co-creation integrated into production work.

How I work

Three things that have stayed constant across nineteen years and very different clients.

STEP 1

Understand before you open a file

What the client needs is rarely what the brief says.A direction is right when it starts to hold together visually and solves the real problem underneath.

STEP 2

Moodboards or finished work.Nothing in between

Nobody looks at a grey box and imagines it green. I share the early direction or work that's resolved, and skip the stage where feedback is guesswork.

STEP 3

Suggest first, draw when it matters

I lead by proposing, not by taking the mouse. But when feedback comes back hard, two directions in parallel, the designer's and mine is the fastest way out.

STEP 4

AI is a tool, not a position

I use it like Figma or a stock library, when the project calls for it. To argue with an idea, to catch what I missed, to make something abstract fast.

ABOUT ME

If you can't explain why a decision is right, it probably isn't.

Nineteen years between two chairs: leading teams and doing the work myself. Twelve people at Penceo, seven at Admind and in both cases I directed the work and still drew the systems. Now I'm looking for the next place to do that, as a designer, a lead, or a director.

The title matters less than the work.

Let's talk

ROLES

Creative Director

Senior/ Lead Designer

SENIORITY

19 years

led teams up to 12

WORK MODEL

Remote across Europe

hybrid from Kraków

AVAILABILITY

Open now

~1 month notice

LANGUAGES

Polish (native)

English (fluent)

Download CV

Looking for a Creative Director or Senior Designer seat where I can keep both leading and drawing. Send the role, I reply within a day, and my full CV and case studies are one click away.

hi@maciejmleczko.pl

img

© 2026 MACIEJ MLECZKO - ALL RIGHTS RESERVED

Creative

Director

WHO still designs

19 years helping brands — from Olympic committees and global sports federations to luxury houses and startups - define who they are and how they show up.

I've led international teams of up to twelve, and I've drawn every system I've directed.

The two have never been separate for me.

img

Expertise

Nineteen years across branding, packaging, digital products and creative leadership - from a one-person studio to directing a twelve-person multidisciplinary international team, without ever handing over the drawing.

Years designing —

hands-on

Years leading

design teams

5

years teaching at

university

2022 — 2026

Creative Director

Penceo / The Learning Lab

Creative vision across global e-learning and branding for luxury and corporate clients. Led a 12-person team while personally designing high-end visual systems.

2019 — 2021

Senior Graphic Designer

Penceo

Branding, social and 360 campaigns for major international sports federations. Visual information system for the Olympic Games.

2018 — 2019

Senior Designer & Team Leader

Admind Branding & Communications

Led a 7-person team on ABB's global branding and the rebranding of its business units, with direct client ownership.

2011 — 2016

Lecturer, Packaging & Branding

Tischner European University

Taught branding and packaging design, supervised diploma seminars.

2007 — now

Founder, Creative Designer

Studio Mleczko

Independent studio delivering premium brand identities and packaging for clients across Europe.

Design & craft

Visual identity systems, rebranding, packaging, typography, layout, iconography, data visualisation, and social assets — all produced directly.

Creativeleadership

Creative and art direction, team mentoring, stakeholder alignment, workshop facilitation, and seamless cross-functional product workflow.

AI in workflows

Prompt crafting, generative exploration, visual concept development, and human–AI co-creation natively integrated into professional production pipelines.

How I work

Three things that have stayed constant across nineteen years and very different clients.

STEP 1

Understand before you open a file

What the client needs is rarely what the brief says.A direction is right when it starts to hold together visually and solves the real problem underneath.

STEP 2

Moodboards or finished work.Nothing in between

Nobody looks at a grey box and imagines it green. I share the early direction or work that's resolved, and skip the stage where feedback is guesswork.

STEP 3

Suggest first, draw when it matters

I lead by proposing, not by taking the mouse. But when feedback comes back hard, two directions in parallel, the designer's and mine is the fastest way out.

STEP 4

AI is a tool, not a position

I use it like Figma or a stock library, when the project calls for it. To argue with an idea, to catch what I missed, to make something abstract fast.

ABOUT ME

If you can't explain why a decision is right, it probably isn't.

Nineteen years between two chairs: leading teams and doing the work myself. Twelve people at Penceo, seven at Admind and in both cases I directed the work and still drew the systems. Now I'm looking for the next place to do that, as a designer, a lead, or a director.

The title matters less than the work.

Let's talk

ROLES

Creative Director

Senior/ Lead Designer

Seniority

19 years

led teams up to 12

Work model

Remote across Europe

hybrid from Kraków

Availability

Open now

~1 month notice

Languages

Polish (native), English (fluent)

Looking for a Creative Director or Senior Designer seat where I can keep both leading and drawing. Send the role, I reply within a day, and my full CV and case studies are one click away.

hi@maciejmleczko.pl

Download CV

line

© 2026 MACIEJ MLECZKO - ALL RIGHTS RESERVED

img
img

ABOUT ME

If you can't explain why a decision is right, it probably isn't.

Nineteen years between two chairs: leading teams and doing the work myself. Twelve people at Penceo, seven at Admind and in both cases I directed the work and still drew the systems. Now I'm looking for the next place to do that, as a designer, a lead, or a director.

The title matters less than the work.

Expertise

Nineteen years across branding, packaging, digital products and creative leadership - from a one-person studio to directing a twelve-person multidisciplinary international team, without ever handing over the drawing.

Years designing — every

one of them hands-on

years leadingdesign teams

5

years teaching brandingand packaging at university

2022 — 2026

Creative Director

Penceo / The Learning Lab

Creative vision across global e-learning and branding for luxury and corporate clients. Led a 12-person team while personally designing high-end visual systems.

2019 — 2021

Senior Graphic Designer

Penceo

Branding, social and 360 campaigns for major international sports federations.Visual information system for the Olympic Games.

2018 — 2019

Senior Designer & Team Leader

Admind Branding & Communications

Led a 7-person team on ABB's global branding and the rebranding of its business units, with direct client ownership.

2011 — 2016

Lecturer, Packaging & Branding

Tischner European University

Taught branding and packaging design, supervised diploma seminars.

2007 — now

Founder, Creative Designer

Studio Mleczko

Independent studio delivering premium brand identities and packaging for clients across Europe.

Design & craft

Visual identity systems, rebranding, packaging,

typography and layout, iconography, data

visualisation, UI, digital campaigns and social

assets — all produced, not just specified.

Creative leadership

Creative and art direction, team mentoring,

stakeholder alignment, workshop facilitation,

cross-functional work with PM and design.

AI in creative workflows

Prompt crafting, generative exploration, visual

concept development, and human–AI co-

creation integrated into production work.

How I work

Three things that have stayed constant across nineteen years and very different clients.

STEP 1

Understand beforeyou open a file

What the client needs is rarely what the brief says. A direction is right when it starts to hold together visually and solves the real problem underneath.

STEP 2

Moodboards or finished work. Nothing in between

Nobody looks at a grey box and imagines it green. I share the early direction or work that's resolved, and skip the stage where feedback is guesswork.

STEP 3

Suggest first, draw when it matters

I lead by proposing, not by taking the mouse. But when feedback comes back hard, two directions in parallel, the designer's and mine is the fastest way out.

STEP 4

AI is a tool,not a position

I use it like Figma or a stock library, when the project calls for it.To argue with an idea, to catch what I missed, to make something abstract fast.

img

Selected work

Three projects, documented in full - the problem, the decisions behindthe design, and what it changed.

MORE WORK

ATHLETIC

INTEGRITY

UNIT

Visual direction and hands-on design — annual reports, infographic systems, social media, presentations, event design

PENCEO

Brand concept, logotype, identity system,

brandbook, motion direction

OLIMPICGAMES

Lead designer - sole designer on the visual system (via Penceo)

Creative

Director

WHO still designs

19 years helping brands — from Olympic committees and global sports federations to luxury houses and startups - define who they are and how they show up.

I've led international teams of up to twelve, and I've drawn every system I've directed.

The two have never been separate for me.

img

Let's talk

ROLES

Creative DirectorSenior/ Lead Designer

Seniority

19 yearsled teams up to 12

Work model

Remote across Europe

hybrid from Kraków

Availability

Open now~1 month notice

Languages

Polish (native)English (fluent)

Download CV

Looking for a Creative Director or Senior Designer seat where I can keep both leading and drawing. Send the role, I reply within a day, and my full CV and case studies are one click away.

hi@maciejmleczko.pl

img

© 2026 MACIEJ MLECZKO - ALL RIGHTS RESERVED

Download CV